Definitely my favourite course with the Huguenot Museum is Pattern Exploration - two days devoted to design and printing. Day one covers linocut printing onto wallpaper and day two is all about screen printing onto fabric. Here’s what happened... After introductions we looked at and discussed the 18th century designs of silk weaver and designer James Leman. Then, armed with sketch books, we went in search of inspiration from the museum’s collections - details such as fine silver work, intricate sampler stitches, woven silk and jewellery stood out.

Back in the museum’s learning space we worked on the sketches bringing them up to a standard that would translate well into print. A simple exercise using tracing paper helped keep the design symmetrical and it’s amazing to see how quickly the patterns evolved. As the designs are repeated over and over we were able to see how the negative spaces looked and how seemingly unrelated lines and curves took on new shapes when multiplied. Every. Mark. Counts.

Happy with our designs we transferred them to lino tiles and carved out what is just a small part of the pattern. At this point you might not have given many of the tiles a second look! They seem to be a series of random shapes and marks, but add ink, start printing and the patterns came to life.​

Everything that students learnt on day one is pretty much obsolete on day two! Screen printing requires a completely different process but the sketches from the previous week are still valid and after a demonstration of what they can expect for the day, students start to work on their designs.

Once happy the designs are traced onto the screens and Screen Drawing Fluid is use to paint the image. When that's dried Screen Filler is applied with a squeegee and left to dry again. Finally the Screen Drawing Fluid is washed out to reveal the stencil. 

After a few practise runs students buddy up and help each other with registering screens, holding screens, fetching inks and washing squeegees - it's a real team effort.

​And here are some of the results...

It's a Sunday morning in late August and I'm setting up for a festival lino printing workshop. People are milling around, shading tired eyes from the sun, slowly coming to life. The smell of wood fires and coffee drift on the breeze, thankfully disguising the unmentionable aroma of the Portaloos.

I rearrange the equipment once more and sit down, ready for my group to start arriving when a voice in my ear asks what I'm doing. Happy in my work, upbeat and smiling I start explaining the joys of printmaking but before I can finish, the person goes on to tell me what an expert lino cutter and exceptional artist he is. I smile. Nod. Still smiling, not really knowing what to say, he sighs, looks at me - head slightly tilted - and utters those rather damning words above. I'll be honest, it threw me a bit but I didn't have much time to think about it as people were arriving ready to start printing.

Now I'm the first to admit that there are many people far more talented than myself out there and I "do" quite well *thank you very much* but as I lay in my tent that night I got to thinking about why I teach rather than "do" and it didn't take me long to come up with the answer:

Firstly there's a buzz that I get from teaching that I don't get from creating my own art. That moment when it clicks in someone's head and you take them from knowing nothing about a subject to giving them the confidence to give it a go at home. People leave my workshops on cloud nine and I get a kick out of knowing that I've played a hand in that.

It can also be a humbling experience. There have been times, for example, when a student has rephrased an instruction far better than I did in the first place! I have to hand it to them, my students make me a better teacher.

You learn so much too - about people, about yourself, about your subject - the limitations and potential.

And to top it all off I teach because of the warm and fuzzy feeling I get inside when I receive emails like this one that landed in my inbox from Claire last month:

​Subject: Had to share xx

"Hope you’re well, happy and still smiling. So it’s been a year since you showed me the beautiful art of screen printing. I really enjoyed our time just chatting and art-playing. At Xmas last year I got screen print stuff off Santa however I’ve only just got around to using it. I'm so chuffed with the results. Honestly, it has given me a nudge and a the confidence to try more."​

And here are some photos of Claire and her prints

As part of his series, "These Hands", Joshua Atkins is celebrating the diversity and talent of makers and artists in Medway. So far his list of the photographed include; painter, distiller, musician, artisan, photographer and now me, printer.

All images are by kind permission of Joshua Atkins Photography
Website: http://www.joshua-atkins.com/
Instagram: https://www.instagram.com/joshuaatkins/
Facebook: https://www.facebook.com/joshuaatkinsphotography
Twitter: ​https://twitter.com/joshuaatkinss

I think I could get used to my celebrity status. People waving and calling out my name wherever I go, constantly being fussed over, repeatedly being asked if there's anything that I need...

No, I'm not dreaming, I'm just over half way through my time with the children and staff at Saxon Way Primary School. Over the past couple of days 300 children aged 5-11 have joined me to screen print their own t-shirts for this year's Griffin Arts Festival (GAF) and judging by the response they've really enjoyed it.
 
As a Griffin Trust school, every summer, two glorious weeks are dedicated to art and it's become a bit of a tradition that all the children print their own t-shirts to wear during the festival's finale when friends and family are invited to the closing showcase event to see all that the children have created.
 
A couple of weeks before the printing extravaganza I met up with Raydene Dunne, Early Years Team Leader, to find out more about GAF. The theme for this year's festival is 'Protest: Our voices in the world'. The children were particularly keen to raise the issue of plastic pollution, especially in our oceans and so I was looking forward to seeing how their designs would reflect this.
 
Raydene explained that although the festival takes place over 2 weeks she is keen to make art an important and everyday celebration within school life. The children are reminded of this daily since each class is named after an artist and the first term was spent exploring their work and creativity.
 
I left Raydene with some homework (finally getting my own back on those pesky teachers), sample t-shirts and stencil templates that would help explain to the pupils what they needed to do before my arrival.
 
So on a perfect summer's morning in June I was shown into the main hall of Saxon Way Primary school to set up the print station. Breakfast club was just finishing and lots of eager eyes were on me. All the children had been involved in designing their t-shirts and were excited to come over and see how it was done. With the first few workshops under my belt it was clear that the staff and pupils had done their homework. Each class entered the main hall armed with their t-shirts and stencils. With colours chosen and squeegees at the ready the children got down to the business of printing their own t-shirts.
 
As school was dismissed for the day the Caretaker and an army of teachers arrived in the main hall. I had prepared a number of screens with the GAF logo and we now had the task of printing onto the backs of the t-shirts. We quickly got a conveyer type scenario going - myself and another teacher printing, two teachers bringing the t-shirts to us, two taking them away, a number of teachers and the Caretaker hanging them up under the watchful eye of Raydene. It never fails to amaze me how teachers can, within seconds, analyse a situation, work out a plan, explain the process and then work as a team to get the job done. I am in awe of these ladies and gentlemen.
 
So with the t-shirts printed front and back, they were hung up, stretching the length and breadth of the main hall like oversized bunting. It looked amazing! Such a fantastic achievement by staff and pupils - 300 t-shirts, designed and printed in just two days. Packing up my kit and waving goodbye I'm reminded how grateful I am to have been included in such a special part of the children's festival.
 
You can see more photos of me and the children on Saxon Way School's Twitter page.
​

i-printed-that's fifth anniversary passed relatively quietly. I few glasses of fizz shared with my hubby, a little pat on the back and a moment of reflection.
 
When I look back to the beginning of 2013, my only plan was to run children's t-shirt printing workshops during the school holidays. That was it. I remember my first official day. I'd booked a local village hall for the day and planned four back-to-back workshops, with a total of 40 children printing their own t-shirts. It was going to be brilliant. Armed with some very expensive leaflets I visited all the schools in the area and they agreed to send them home to the parents. I'd run school holiday workshops for friends and family so I knew how much children loved the workshops, it was great value for money and it was something different that wasn't happening anywhere else locally. Parents would be banging down the doors to book their children on.
 
Except they weren't.
 
The four exciting workshops I had planned became two, well one and a half. The second workshop had three children on it; two were my nephews and one was a child from the local school who I had delivered leaflets to. I was heart broken. All that planning, all that hard work, all that expectation and to top it off I made about £2.50(!). Oh yeah, and I was exhausted.
 
But I was also determined. I knew I had a great product, I knew that the skills I was sharing with the children were bringing them confidence and they loved it too. I knew I had to carry on, so I did.
 
Well, that was five years ago and this printmaking lark has taken me down some unexpected avenues and I've met so many amazing, talented and helpful people. Who would have thought that I'd run printing sessions at staff training and team building days, hold courses at museums, provide entertainment at festivals and events, host hen parties and work on large scale school projects. Yep, we've come a long way, baby.

Think Arts & Crafts interiors and you think William Morris. The ever loved prints of willow leaves, honeysuckle twisting through trellises and plump pomegranates. A fine example of one such interior is the National Trust property of Standen House in Sussex. And so what better place to attend a linocut workshop exploring pattern and print a sample of wallpaper.

Led by Peter Thwaites and Rebecca Aird, the artists behind The Standen Collection, they have set up their design studio in the Servants' Hall and covered the walls with photos and sketches of Standen's architecture and gardens. It is from here that they designed and printed the re-imagined wallpaper and furnishings that decorate the Servants' Wing and it is from here that they ran a series of traditional print making workshops.

Our good friends at Lunar HQ were approached by a PR company in need of an unconventional space to hold their corporate business review followed by team building activities that were a little different from the usual run-of-the-mill-paint-balling. Being the creative bunch that they, Lunar HQ got planning and reached out to its motley crew of collaborators to lay on retro games, cocktail making and screen printing workshops. Cue i printed that.
​
Once the boring, but essential, data analysis was over and the company had congratulated themselves on yet another fantastic year it was time to set up the print station and get printing. 

Note to self; under normal circumstances it can take a while for some people to get their head around making up stencils for screen printing (hell, it still happens to me on occasions) but add a cocktail or three into the mix and the chance of this increases ;)

“Insight or Excite” – it is this, the basic criteria of owner Melissa Pickering, that’s put 19.Preston firmly on the map as the must-see gallery and shop to visit in Faversham.

Inspired by the concept shops that she would visit whilst living in Paris – “they are artworks in themselves” she says – Melissa has combined contemporary art with local crafts. A jar of Kentish honey shares the space with large original oil paintings. It shouldn’t work, but it does.

There is certainly something to insight or excite on every surface as you browse the simple wood and metal shelves and trestle tables on the ground floor. Yet nothing fights for attention. The space still maintains the clean lines of a gallery which is testament to Melissa’s ability to carefully select and display the pieces based on an evolving editorial theme.

There are some unexpected touches too like the 1960’s style listening booth. Step into the matte black cube and immerse yourself in the vinyl of the month whilst browsing the curated record collection. It doesn’t need to be there and that’s exactly why I like it. I'm struck with the feeling that this isn’t just about buying and appreciating art it’s about enjoying it too.

Head upstairs and this feeling continues as the building opens up into a bright multi-purpose space. Here exhibitions and workshops mingle. These rooms add further reason for 19.Preston’s success; it doesn’t stand aloof from the town and its residents like some galleries might but rather there is a sense of inclusion.

Responding to Faversham’s local traditions like the Hop Festival and the town’s festive markets 19.Preston whole heartedly joins in and adds art to the celebrations along with an invitation to “have a go” at something new and creative. You only have to look at what’s on offer for proof - children’s after school drama classes and art clubs which culminate in end of term group exhibitions and for adults the secret drawing club, print workshops, Artist Relief and pyrography.

In addition to this we’ll be holding an evening screen printing workshop on Wednesday 6th December to design and print a set of 2018 calendar tea towels just like the ones your Nan used to have #grannychic. For more information and to book click here.

To be inspired visit the bricks and mortar shop at 19 Preston Street, Faversham ME13 8NZ or see the gallery online at their Facebook page and Instagram account.

​A huge round of applause please for my niece, Kyra Anderson, who's been chosen as Nucleus' artist of the month at their Rochester Gallery in Kent.

If you've been following me on social media over the past few years then you may recognise Kyra as she's always a willing (victim) volunteer when I need an extra pair of hands at workshops and events. Kyra brings the calm to my chaos. She takes everything in her stride, is a truly lovely lady and an extremely talented artist too. (Don't some people just make you sick?!)

Kyra's work is currently on display at Cafe Nucleus, 75 High Street, Rochester and you can also visit her online shops and web pages and follow her on Instagram. Her work is varied and includes original framed sketches, printed cushions, mugs, iphone cases and greetings cards. Here's a taster but I'd recommend a trip to Rochester to see it for real.

You may remember back in 2014 when I discovered some hidden artwork in an attic during Medway Open Studios ​
and reconnected with my past and my favourite art teacher, Jackie Trinder. Jackie now specialises in painting with watercolours, teaching from her studio in Rochester and exhibiting throughout Kent. You can visit her website here.

Since then we've been playing a game of chicken, threatening to swap skills and teach each other our preferred mode of art. Finally, this summer we put a date in the diary and got around to doing it.

Jackie may have mentioned a few times to me that she was slightly scared of the prospect of spending a morning out of her comfort zone screen printing. So I devised a plan to incorporate some watercolour techniques that she'd be familiar with. Using fabric paint she prepared the background with a free form design then onto setting up the screen, but even that was no problem as it uses familiar brush strokes to apply the drawing fluid.
​
Once she'd finished the process of applying screen filler, drying, rinsing and drying the screen again we were ready to print. I think it's safe to say that Jackie LOVED it and wants to do lots more. She particularly liked the fact that you can easily repeat the image onto a variety of backgrounds to create different effects. Here are photos from the morning's screen printing workshop: